Exactly one year after young rock guitarist Eric Draven and his fiancée are brutally killed by a ruthless gang of criminals, Draven -- watched over by a hypnotic crow -- returns from the grave to exact revenge.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider whom takes the youth under his wing.
Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies' man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.
Baby Bink couldn't ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.
A warlock flees from the 17th to the 20th century, with a witch-hunter in hot pursuit. A Warlock is taken captive in Boston, Massachusetts in 1691 by a witch-hunter Giles Redferne. He is sentenced to death for his activities, including the bewitching of Redferne's bride-to-be, but before the execution a demon appears and propels the Warlock forward in time to 20th century Los Angeles, California.
Roberta is a bored suburban housewife who is fascinated with a woman, Susan, she only knows about by reading messages to and from her in the personals section of the newspaper. This fascination reaches a peak when an ad with the headline "Desperately Seeking Susan" proposes a rendezvous. Roberta goes too, and in a series of events involving amnesia and mistaken identity, steps into Susan's life.
Based upon the true story of Bruce Johnston Sr., his son, and his brothers; together, they constituted one of suburban Philadelphia's most notorious crime families during the 1970's. Their criminal activities ranged from burglary, theft... and ultimately, murder.
Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them into serious trouble with the local Mafia boss and the corrupt New York City police department.
Norman Reedus stars as Harry Odum, a henpecked, 18-year-old momma's boy in Youngstown, Ohio, who -- with his violent temper -- impresses a local boss of the Jewish Mafia. Soon he's found his calling as a hit man alongside his crack addict partner Arnie Finklestein (Adrien Brody), and he discovers that his rage and complicated psychosis fuel his murderous abilities. Harry also falls for the organization's limping, Hungarian-born maid Iris (Elina Lowensohn), a romance complicated by Harry's Oedipal, sexual relationship with his domineering mother Kate (Deborah Harry).
Harvard graduate James Averill (Kris Kristofferson) is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion (Christopher Walken), a mercenary competing with Averill for the love of local madam Ella Watson (Isabelle Huppert). As the struggle escalates, Averill and Champion begin to question their decisions.
Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.
Angus is a large, pathetic 14 year old whose thoughts are most often filled with the image of one Melissa Lefevre. Angus is shy and thinks that he has no chance of ever 'getting' her. Being especially uncool, he is incredibly surprised (along with the rest of the school) that he is chosen to dance with her at the Winter Ball. The only one not surprised is the cool-kid who set him up to fail, but Angus' best friend is going to help him win the heart of Melissa by developing a new look for him
A ten year old girl named Angela leads her six year old sister, Ellie, through various regimens of 'purification' in an attempt to rid themselves of their evil, which she believes to be the cause of their mother's mental illness. Precocious, to say the least, Angela has visions of Lucifer coming to take her and her sister away, and one of her remedies for this is for them to remain within a circle of their dolls and toys until they see a vision of the virgin Mary come to them. But such thinking can only lead to an ending befitting of her own mental state.
After separating from his wife, Leonard Parker (Cosby) quit the spy business and became a restaurateur. His wife refuses to speak with him, and his daughter, who changes her career more often than her clothes, has begun dating a man old enough to be Leonard's father! On top of it all, the government has asked him to come back and save the world again.
An unemployed ex-office worker (Anna Thomson) searching for work floats a fragile line of sanity as she struggles to find friendship and companionship. Her tenuous grasp on reality further fluctuates when a man (Matthew Powers) whom she met in a restaurant and started an affair is called to go to India for an assignment. The final straw occurs when she is evicted and moves into a sleazy hotel. She then starts seeking casual sex in unorthodox locations just to have human contact.
How important is the truth when falling in love? Bella is a Manhattan café waitress, about to turn 35, stuck in a long-term affair going nowhere. Paul is a widower, facing old age alone. Bella's mother sets her up with Bruno, a novelist/cabbie who likes to bed-hop and whose ex-wife expects their two children to stay with him for awhile. While Bruno learns some maturity from his young daughter, Paul answers a personals ad placed by a "widow, 60." The two couples - along with one of Paul's older pals and a Jungian stripper - sort out how to initiate a relationship these days, what to do when someone you like disappoints you, and when to tell the truth.
Ari Rose (Howard) is not your typical romantic. He has two passions in life ... seducing the woman of his dreams (Parillaud) and making sure she NEVER leaves. A very dark comedy with identifiable themes (although quite extreme at times) about love, sex, obsession, paranoia and depression. This was an experimental film that was never intended for commercial release but it's great none the less.
The film is based on a German play by Rainer Werner Fassbinder, Tropfen auf heisse Steine. A 50-year-old business man Léopold arrives home with 20-year-old Franz, whom he has just met. Franz is not quite sure why he agreed to come home with Léopold as he is supposed to be meeting his fiancée Anna, but he accepts drinks from Léopold and they begin to get to know each other.
Ivan Bibic returns to his Pittsburgh PA suburb after surviving a Japanse POW camp, causing regular nightmares. All the time he remained faithfully devoted to his childhood love, fellow ethnic Yugoslavian virgin Maria Bosic. She dates him again, thus ruining a virtual engagement to captain Al Griselli. Against Ivan's dad's advice, they get married. But Ivan became psychologically impotent, feels unworthy of her and starts wondering, even looking for another girl. Meanwhile slick guitar-and-song-busker Clarence Butts moves in to South-Western PA, and seduces Maria.
The director of Sue continues his exploration of the theme of lonely women lost in the big city with Fiona, which goes one step further and exposes the wasted lives of whores and junkies in New York. The story of Fiona and her mother told in eight chapters. Fiona is abandoned at six months of age, raised in foster and adoptive homes, abused, and, still a teen, hustles on the streets of New York. We watch her use heroine, fall in love with other women, be pursued by men, engage in murderous violence, hide out in a crack house, and decide to leave the city. We see her mother, also a streetwalker and drug user, occasionally talk about her lost daughter. Fiona has a necklace she was clutching when a foundling. Will mother and daughter meet? Is there a silver lining?
Emma is a divorced woman with a teen aged boy who moves into a small town and tries to make a go of a horse ranch. Murphy is the town druggist who steers business her way. Things are going along predictably until her ex husband shows up, needing a place to stay. The three of them form an intricate circle, Emma's son liking Murphy, but desperately wanting his father back.
Charlie Deegan has almost everything he has ever wanted. He has an important law practice, a beautiful secretary as his lover, and the chance to be appointed to the high court. The only thing wrong with this is that his shrewish wife Olivia, whose father made all the wealth and all the power, is living and that greatly upsets Charlie. So when his lover, Laura, suggests that they get rid of Olivia, Charlie thinks, being a lawyer, that he can create a fool-proof plan. In this plan, he must incorporate a woman named Victoria whom he detests, but she can help him get into the court and be part of the plan for Olivia. But dreams of judgeship, money and Laura makes him proceed. However, things never turn out as planned and he may not be as smart as he considers himself.
A young, underappreciated intern at the ultra-hip magazine Skirt must learn to deal with kissy-face phoniness, model tantrums and bulimic editors, while trying to steal the heart of a dashing British art director from the grips of a supermodel.